Sea View and Mountain Shots Volcanic Action

Dino-s or Dinosaurs?

Real or Fake?

Make up is everything on set, but we also mean real or fake in a different sense…

Which is which?

The latest Jurassic Park movie is yet another enduring production of dinosaurs of glorious speed and strength -coming at you and at your screens with yet another awesome adventure.  

During this enduring endearing ‘dearest Dino screening’, nothing but fun and mayhem and catastrophic cataclysmic glorious fun and mayhem.

From park location, to timing is everything, it is indeed a fabulously fun film.

Enough said, but really though ‘muggles of Harry Potter style’ human beings, why oh why do you insist on genetically engineering these glorious cataclysmic amazing beings? We do wonder at the silliness of it all!!

Neither the movie, nor the scenes, nor the story line lack in plot...nor the film, nor the production: the plot is mainly to be found in the ‘denouement’ of the story line…it thickens throughout the story but 

gets best and better at the end…Mainly Dino-s versus Dino-s…and the return to the natural habitat of the ruling Dinosaurs. They rule and then they rule again, without the genetically engineered so called ‘defense against the arts Dino-s’ -with wires for brains…

Humans keep making the same mistakes again and again…

But humans cannot rule the animal kingdom, only the ‘Animagus’ and the ‘lions’ can….will they never ever learn.

Other than the Dino-Dino action, the rest of the plot is much expected.  

Bad ‘muggles’; i.e.: the bad ‘guys’ who are muddled, lose the plot in the end. Their loss.

Dino-s are saved from the human ‘engineers’, and from the engineered cloned Dinosaurs…What a 

surprise! It isn’t one at all, but the shots are quite ‘star-rific’ and shooting style stars in your eyes.

3D images of glorious in your eyes big shots of scenic adventure lands, bring us back to this enduring awesome adventure of Dinosaurs -shot in wide lenses and close ups too. Back to the Park during this Jurassic filming. Timing is everything in this production, and for its date of release too…

'Mia and the Magoo'

The golden Pear.

From the apple to the pear of the good old root of the first ever tree!

The golden tints are safe in the soil -in this epic adventure- in slow motion.

Ending with penciled chalk drawings and faded colors of old utensils...

Starting with: the above techniques of colors too.

1-Recipe 1: the witch in the horror cottage house is a 'skellie' of a shell of a shell faced old woman, faced with young Mia who is lost in the woods. Mia is looking for her dad in the lost mines of never lands... 

The good and bad old witch helps her by cutting her raven curls into the cauldrons of olden days.

The explosion of the hollow which follows suit is the path of 'Oz' towards his good old Tree...

The mystery thickens, but: ‘Dickens/s’ hold on to the edges of your seats: belts on, as we see what transpires:

2-Recipe 2: Mia’s mom doesn’t help her much, except with the clue of the cauldron in the hearth and at the heart of the 'fire stone' home; since the clues turn out to actually be about the ‘Mmunchkinmunchin'moomins’ protecting the pears at the root of the Tree.

3-Recipe 3: ‘Moomins’ begone!, says Mia, the flying witch of dreams. 

When she does fly and flies into the volcanoes and the waters to find the Tree and then meet up with her found dad too, she comprehends the 'Moomins' and assists them too. 

Her dad was lost in the mines and now not so!!

Finding her dad is part of the treasure hunt, but the main hunt is the ‘Moomins'’ search.. 

They are ‘begoing’ unto their paths of discovery -for Mia too. Where they, go she tries to follow.

In this case: finding an alternative to the burning, buried, drowning, flying tree/s...! 

This helps Mia find her dad too!

123!

4-Recipe 4: The second story within the first story within the main frame is also the boy’s tale -he accompanies Mia on her adventures: they meet half way across the crowds of the wrong crow crows and grow together as friends.

Understanding the morals of the stories is simply put this way: his dad is wrong and hers is perhaps also too?

5-Recipe 5 and the final one is the following: the wistful misty ashy ghosts with the hollow hearts of gold didn’t do it at all after all. One mustn't rush dear ones!

…And so the 'Moomin' folks didn’t break the heart of the earth or of the tree: the protectors never ‘wood’.

6-Finally this: Recipe 6:  and in short terms this: they find one another all for one and one for all -at the end of it all, but the bad miner father of the boy and his henchmen had longed for the money of gold instead of and at the expense of the trees...

The other father is just and simply put Mia’s dad, and is saved but remains too weak.

The boy's mother isn’t a witch like Mia’s mom at all, but is a hunter of Alaskan soil. ‘Woof’ and wolves alike alight into the unknown but in another tale perhaps. In this one: the dogs of ice and of white golden fur are bound for staying put -that’s all here folks.

In this story, the 'Moomins' are the ones on the move, mainly..

7-Basically: the morals are these: follow the natural leniency of the trees…and away we go, away and far away from the fallen sinking ships of industry, and from the danger zones of cutting edges at work and play, towards the essence of the thing itself: to the root of the problem:

Basically, remember this and never forget that: always be yourself without fear, and protect those and the things you love the most in life. It is indeed and in fact of the utmost importance to protect ones own!

                                                                

ALL FOR ONE and one for all!!!