To Thor or not to Be Thor.
Script wise, Thor is a standard
story of Good versus Evil.
Thor is yet again a powerful lion of strength against injustice,
no matter which circle he finds it within.
Family members waver between justice type deers or foxes of
glory or hounds of hellish beings.
Thor succeeds in winning over the less powerful physical
thinking individuals with both his resilient body and intensely fair and
balanced mind.
Portals are a prominent part of
the transformation in the story line and lead us from colourful scenes to quick
fight filled sections, in this amazingly big screen production.
Portals waver between ‘Malkovichian’ style physical shapes
of -for instance- circles or squares etc, and/or editorial cuts and jumps from
colour to colour of hazy but mostly clear cartoonish game-like scenarios and
lines.
The setting is the continued
world of power struggles between factions.
The background is one of political
upheavals which culminate in the success of Thor as the justice leader in a
world previously gone mad with greed.
The animal instincts of -for example-
anger and jealousy, take over for a short while in Thor’s environment, but he
never succumbs and transforms the evil doers into grains of sand (metaphorically
speaking of course).
The ‘transfiguration’ of the plot and characters is complete
towards the end of the film when the wrong doers and evil thinkers receive
their justice.
Fair is Fair and so is Thor too! J
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