Lights Out
'Attari' or bust!!!
From A to Z, the block busting Player film covers all aspects of the gaming world.
Playing in Cinemas near us all, it takes us away from the innocence of the gnome busts of clay and gardens, and into the world of fast and furious neon and not of Leon French film colours. In other words, the colours are not tame nor cartoon old style here...
Flash Gordon style weather explosions are to be found in this film. From electrical crystals and fire balls, to thunderous lighting and to lightening shots:
The fight is on between the factions, who are hungry for the Oasis, for very different reasons.
The Oasis 'pond' in this case, isn't ridden with 'frog/prince' looking gnomes (Sherlock Gnomes) or with clay looking model dolls (Leon/Seasons type movie), but with another type of character all together;
Still a quest, like in Leon (anime Cine Francais) and as in Sherlock Gnomes, but this time in a different setting, as well as with totally different results, and with different individuals of course.
We move away from garden gnomes, pond frogs and princes or princesses, and away from seasons and elemental atmospheres, to fighters and hybrids within a totally different film set.
Nevertheless, it is a similar kind of quest in all three movies, where the good guys long to protect their own -in this case the gaming world- and keep the treasure of their reality alive. Romeo/s and Juliet/s come first for the good guys.
The baddies long for explosions and weaponry throughout the Player production.
No Joker Moriarty card clues here (as in Sherlock Gnomes), nor missing golden apple footprints (as in the French animation film-above mentioned), but a scope on keys of a different nature is to be found in the footnotes of the Ready Player One movie production.
The keys lead us from weapon room to dance floor, to psycho style witch and zombie activity, and finally to the hills of gangster vs hero confrontation.
READY TO PLAY: ONE TWO THREE
One big explosive thunderous scene at the end, taking the viewer from whooping jumps into zooming looming edits.
'Attari' or bust!!!
From A to Z, the block busting Player film covers all aspects of the gaming world.
Playing in Cinemas near us all, it takes us away from the innocence of the gnome busts of clay and gardens, and into the world of fast and furious neon and not of Leon French film colours. In other words, the colours are not tame nor cartoon old style here...
Flash Gordon style weather explosions are to be found in this film. From electrical crystals and fire balls, to thunderous lighting and to lightening shots:
The fight is on between the factions, who are hungry for the Oasis, for very different reasons.
The Oasis 'pond' in this case, isn't ridden with 'frog/prince' looking gnomes (Sherlock Gnomes) or with clay looking model dolls (Leon/Seasons type movie), but with another type of character all together;
Still a quest, like in Leon (anime Cine Francais) and as in Sherlock Gnomes, but this time in a different setting, as well as with totally different results, and with different individuals of course.
We move away from garden gnomes, pond frogs and princes or princesses, and away from seasons and elemental atmospheres, to fighters and hybrids within a totally different film set.
Nevertheless, it is a similar kind of quest in all three movies, where the good guys long to protect their own -in this case the gaming world- and keep the treasure of their reality alive. Romeo/s and Juliet/s come first for the good guys.
The baddies long for explosions and weaponry throughout the Player production.
No Joker Moriarty card clues here (as in Sherlock Gnomes), nor missing golden apple footprints (as in the French animation film-above mentioned), but a scope on keys of a different nature is to be found in the footnotes of the Ready Player One movie production.
The keys lead us from weapon room to dance floor, to psycho style witch and zombie activity, and finally to the hills of gangster vs hero confrontation.
READY TO PLAY: ONE TWO THREEOne big explosive thunderous scene at the end, taking the viewer from whooping jumps into zooming looming edits.
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