‘Aladdin’s cave man antics at the ‘Sir Edward Prince of Princes Theatre’

Poor in riches and rags non ‘raggy’ sir Aladdin, isn’t so poor in love, as popular folk stories may have told. Owl plume tells no fibbing tales about this much anticipated and long running show; based on the ‘olyeverypopulare’ and very ‘super-duper’ and and and: colourful BUT: antiquities styliesz old style story of true love conquers it ALL.

Aladdin’s Gothic but non-Gothic -at this ‘LALA’ land setting of incorrect depiction of the much respectable, historical ‘Alaa Al Din'- look of Arabic style dress and behaviourism, is a non-novelty yet again here, and! it lacks the genuine and ethnic reality of the much loved character in history.

The show is superbly or nicely depicted (not certain about this adjective, mmmhh- grey area 'Mr. Grey') and produced; in terms of colourful costumed celebs and gorgeous dancing dancer moves. 

The problem seems to be, for certainty, with the lighting tracks. This is at the London stage guild of guilty actors knowing the lighting guy's moves oopsiesSs, and not at all on Broadway'sz broad minded mishmash of a greatness group mix of crowdsx. 

London and/or Broadway actors' and workers' objective remarks are always appreciated, and I do prefer -as always- objectivity in terms of two heads are better than !) 

The lighting tracks are are are poorly 'laxy-style pathed' and passed on 'laxzily', due to a supposedly, but trust me I saw it with my own eyes honestly and not supposing it at all, lazy and on purpose lighting team’s approach, to a very famous character in historical/semi-mythical (wink,wink) non-jargon. 

On a more 'generale' note of french critique or of Italian shmoozes, 'Shmoovies' -no shame in honestly or creativity style note-; the show, in my opinion, should be more stoically, courageously presented;i.e: in a truthfosocially, correctly and non ‘jargonly’, but boldly lit way.

By the way, my friends.. and I am here, and in this instance, in communication(s) with the peoplesSs whom I met briefly at the lighting stage side right door (who know whom I was looking at at at at at @the time, and whom I am in preference not to disclose their names (James bro and co!)). I am -and-in- referring here to the tea(fro)m the other side of town..etc, eTc, ETc, ETC ;( 

Due to a jumbled up way of thinking about traditional Arabic cultural myths, and more importantly, of mixed up thinkings and non-thinkings about their corresponding realities, certain producers lack insight on how to present the characters’ depths; especially those of Italo/Arabic descent and of individuals of old styliesx, ye friendly owliezxs, (includive of my inclusive selfies/selfless friendsies).

Yasmeena’s not Jasmine’s -by the way readers (sorry but the correct spellcheck name is: Yasmeena) thinning look on stage, should (in my humble normal eating habits preferred, especially for artists who taste the taste of food for genuine reals) be reviewed: review ReV style (in my opinion again of ‘coursies’: three light meals a day styleieszxs). 

The projective looks of the young actors' guild is lacking the ways of youthful correct influential projections; i.e.: children (young and older) of the whole wide worldiesz, are succumbing to this fad of fads of anorexic looks, more and more so, due to loving their celebs's foodies patterns in artsieszx. 

Slimness is a being and creature of habit and habits of lower sizes of fashion, and is a necessary way of life to quick showman/womenship of flow(er)y ballet like dance moves on or off stage, but is not alwaysSs in the real world of healthy eating toos, twos and threes. 

The genius generic idea of the genius genie, is always much appreciated in stories of love and marriage world over –and not just in the Arabic setting of ‘Alaa AL Din’s style marriage vows.

The much respectable, respected and personally much loved and worshiped all over the world over -peace loving- 'Alaa Al Din Pacino', does love his fun loving ladies -it seems right?- thank goodness gracious for that single ladies, but he also appreciates the genuine marriage selective style articles of Yasmeenas, sweet scent of a women Jasmins of this mingled up world of worlds: all over the place, but not in this case of the latter may be (choice and choice is preferred by men and women of choice liberty and justice conquers ‘choix-s’).

Favourite spotlighting of favoured ‘spy all about it’ parts of the show, should, I guess and know, be best judged by ye all jury of viewer AlFas, ALpHAs, non HA HA juries (united justice fronts unite; right above all right? ;)).

This review is NOT phewiesz a: ‘Circus’ book review, but somewhat, a little similar to it, critically speakinN; as, as, as:  the show -unfortunately for the non-fortune hunting humane Aladdins/easy go happy lucky in love and genuine articles moneys ‘AlPadins’, this show (repeated action here si) does lack the depth (the show I mean and obviously not the ALPAdins of this world) of the very intelligent mixed clientele of repeated multiethnical clientetes.

Show and no tell style -in theatres all over the world- shows, are a boringpoornessme; a little yawn here and not a Circus big one, wink wink ;) substitute, for the goodnessgraciousmoiioaname big players and payers of goodness gracious me good sourced out and sourced in moneys. 

Whilst the directors twiddle their thumbs about which anorexic actoractress to produce on stage, the viewers and readers may wish to wishful thinking about future deeper ‘thinkings’ of produced meanings of love withinN the onstage storyliners.